Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Tuesday, August 18, 2015

Ingrid Bergman's Centennial Month

August 29th will mark Ingrid Bergman's 100th birthday as well as the 33rd anniversary of her death. Cannes hosted her face on their billboards and programs this year, a gorgeous photo of her from the 1950s that was fresh, sleek and a perfect celebration of someone who contributed to that festival specifically.

Other institutions are also celebrating the genius, style and choices of Ms. Bergman. The New Yorker just posted an article by Richard Brody called "A Life of Her Own: Celebrating Ingrid Bergman’s centenary onscreen"  In which Ingrid is referred to as a "genius" and  someone who "excelled at playing strong-willed, independent-minded women; she herself was one, and she paid a higher price for her artistic ambition and personal freedom than did any other movie star." The article goes further into her history and the parts she played, but also lets us know that Ingrid will be celebrated at a few venues, which is the news I would like to share with everyone today.

Here are some events happening, celebrating the life and films of Ingrid Bergman. If you can attend any of these, please tweet any photos, videos or links to me @alexis_morrell on Twitter. I will retweet and post here, hashtag #IngridBergman and/or #IngridBergmanFilms. You can also share them on the Facebook Page: Ingrid Bergman Life and Films .


Retrospective at MOMA NYC Aug. 29-Sept. 10 called: Ingrid Bergman: A Centennial Celebration. "August 29 marks the 100th anniversary of Ingrid Bergman’s birth, an occasion MoMA will observe with a selection of films from her 50-year career—as chosen and, where possible, introduced by her children Pia Lindstrom, Roberto Rossellini, Jr., Isabella Rossellini, and Isotta Ingrid Rossellini..." To learn more about the exhibit and events, please visit: https://www.moma.org/visit/calendar/films/1592




BAMcinĂ©matek retrospective from September 12—29, 2015: BAM presents a stage and screen salute
to one of the most iconic actresses of the 20th century. For more information, please visit: http://www.bam.org/film/2015/ingrid-bergman


AFI Cultural Center Screenings: Throughout the months of August and September, AFI Cinemas in Silver Spring Maryland will be having screenings of Ingrid Bergman films. Check out showtimes and where to get tickets here: https://silver.afi.com/Browsing/EventsAndExperiences/EventDetails/0000000004


I will post more as I hear of them! 


    Friday, August 29, 2014

    9 Moments From Ingrid Bergman on her 99th Birthday

    Aside from all the moments in Ingrid's work, there are a few that come to mind that are a bit out of the ordinary. This list changes, but I thought I'd give 9 of them to you on her 99th birthday!


    9. The champagne scene from "Anastasia." Because all they serve there is champagne.


    8. The dancing scene from "Cactus Flower." The film is scored by Johnny Williams (aka John Williams) and why aren't we still doing these moves? I am. I'm still doing these moves.


    7. The patriotism scene from "Notorious." I've used this line too many times. It's fantastic, especially after a night of drinking and driving.


    6. The bed scene from "Indiscreet." "When Harry Met Sally" totally stole this technique from Stanley Donen, but I'm not complaining. It's sexy, funny and WORKS.


    5. The Chopin scene from "Autumn Sonata." This one isn't funny, but it's one of the most moving scenes in her work. Liv Ullmann, Ingmar Bergman and Ingrid Bergman all in the same room, plus Ingrid shows off how she can tickle the ivories. 


    4. The dream sequence from "Dr. Jekyll and Mr. Hyde." This is a colorized version, which normally I'm not a fan of, but in this case, it makes it more terrifying and creepy. Ivy is a hot mess, and I think that's great.   


    3. The piano scene from "Intermezzo." Women can play piano faster than men can play violin. Also, never hire a hot piano teacher because she will steal your husband and your children will love her more.


    2. The dancing scene from "Indiscreet." Cary Grant hopping around like an idiot and Ingrid pretending to be mad at him. Two words: Gold dress. 


    1. The psychotic break scene from "Gaslight." You know you've earned your Oscar when they coin a phrase after your performance, and I'm not just "gaslighting" you about this one.  




    Happy Birthday Ingrid Bergman!



    Today marks the 99th birthday for our beloved Ingrid Bergman! It also is the 32nd anniversary of her death. That's right, if this is your first time reading one of my birthday posts, fun fact: Ingrid Bergman died on her 67th birthday.

    Ingrid's life was one filled with as much drama as the parts she played on the screen. Her mother died when she was 3, her father died when she was 12 and her aunt died in Ingrid's arms 6 months following. She worked hard for her dreams. She studied theater, piano and singing and acting was always her calling. She was a beauty who knew how to work the system.



    The drama didn't end there. She had a baby when she was 23 and was married to a dentist who followed her to Hollywood when her career took off and made her a star. She had affairs with powerful men, including Victor Fleming (75 years ago... You know, the guy who directed "The Wizard of Oz" and "Gone with the Wind" in the same year), Robert Capa (the guy who took those famous WWII Normandy photos and later died because he stepped on a land mine) and later she would end her marriage with Peter Lindstrom by fleeing the states for Italy with Roberto Rossellini.

    She was declared "Persona Non Grata" on the US Senate floor and wouldn't return to the States until after a decade.

    Her work spoke for itself and for her. It lives on, thankfully, and though her full-circle time on this earth expired, her films immortalized those beautiful moments on screen.

    Personally, I feel Ingrid Bergman has been a humanized star. She is someone I've watched time and again bring life to the screen and she has always inspired me to follow my ambitions and dreams.

    Today, I celebrate the life and work of Ingrid Bergman, though I carry her in my head and heart everyday to utilize part of her path to guide my own.

    The world made a better place thanks to Ingrid's work, especially the cinematic world.

    Happy Birthday, Ingrid!





    Tuesday, March 4, 2014

    "Casablanca" Screening TONIGHT!

    Tonight, in 20 cities, "Casablanca" will screen on the silver screen!
    I just obtained my FREE pass for the Los Angeles screening and can't wait to go!

    Find out which cities are screening and get your free pass HERE!


    Thursday, February 6, 2014

    Ingrid On Netflix

    Some of Ingrid Bergman's films can now be watched instantly on Netflix Instant Watch!
    "The Inn of the Sixth Happiness"
    was recently added to a wonderful collection of films. They used to have more of her films up, but I guess they're in a cycle. Anyway, keep an eye out for movies trickling into the streaming network, but until then, watch this one!


    Sunday, March 3, 2013

    2014 Ford Fiesta Movement

    Hello Everyone!

    I'm sorry I haven't posted in a very long time... I am wrapping up my final semester at USC School of Cinematic Arts and I am involved in a bunch of projects... Not leaving me much time to write about Ingrid Bergman too much.
    I plan on attending the 2013 TCM Film Festival and hope that you will too! It's always fun and generally there's one or two Ingrid Bergman films... Let's hope it happens again!

    I am writing this post because I am applying to be a part of the "Ford Fiesta Movement" again! Ford gives out 100 cars for 8 months to people who are film savvy, creative and have a web presence. I did this in 2009 and would love the chance to do it again!

    Here is my video... If you like it, please "like" it on Youtube and Subscribe!



    I also have a Facebook Page for it: http://www.facebook.com/pages/Ford-Fiesta-Movement-Alexis-Page-/66806812366

    You can also follow me on Twitter @alexis_morrell
    And on Instagram @lex112884

    Thank you for reading!
    -Alexis

    Wednesday, August 29, 2012

    Happy Birthday and RIP Ingrid Bergman

    30 years ago, today, Ingrid Bergman passed away from cancer.
    97 years ago, today, Ingrid Bergman was born in Sweden.


    A full circle life that was, luckily, caught on camera and immortalized for everyone, including those of us who weren't around during her lifespan.

    A letter:

    Dear Ingrid Bergman,

    Thank you for existing. Your 67 years on this earth were filled with very public joys and pains. You made films with some of the most historically famous filmmakers of all time; Hitchcock, Jack Cardiff, Roberto Rossellini, Victor Fleming, George Cukor, Michael Curtiz, among others. You worked with some of the most recognizable faces in the "Golden Days" of the industry; Gregory Peck, Cary Grant, Lana Turner, Spencer Tracy, Joseph Cotton, Liza Manelli, Mel Ferrer, Anthony Perkins, Yves Montand, Humphrey Bogart, Claude Rains and many more. If you showed this resume to anyone, they'd faint.

    We, your fans, are glad that you existed. We now have the technology and capability to watch you on Netflix, pop in a DVD and see your films or buy VHS copies of hard to find movies from amazon.com. Longtailing is a wonderful thing. You weren't here to witness the internet... Probably in your best interest.

    Your humanity was one of the first revealed to the public. You made some choices in life that remind us that no one in infallible and people have to live with their decisions. None of us care. We all love you.

    I personally am grateful for your existence because I am trying to work in the film/TV industry and having you as a guiding light is always an inspiration. It sounds crazy, but you've helped me over the years and always have given me an excuse to write, laugh and cry. Thank you for this.

    Happy Birthday Ingrid. You are a shining star that forever burns on celluloid.



    Sunday, June 13, 2010

    "Siamo Donne"

    Here are two segments from the Rossellini/Bergman collaboration in 1953 "Siamo Donne."
    Ingrid is trying to solve the problem or mystery of who is destroying her roses. Enjoy these shorts! It's pretty unique to hear a Swede speak Italian! She knew so many languages (Swedish, German, English, French and Italian)! It astounds me.


    Thursday, April 29, 2010

    New Videos!

    I have just finished my first semester at USC SCA, with the exception of my 510 paper in which I will compare Ingrid Bergman in "A Woman's Face" to the play "Hedda Gabler."

    I haven't been posting that often because of my course load and I'm hoping summer vacation will change things. If you are or were curious about what I've been up to-- here are some examples.
    The first is a film I directed...








    Saturday, December 19, 2009

    And The Winner Is...

    TOM!
    Tom created the "Broachin' On Ingrid" logo and with 50% of the votes, he wins Taschen's photo book of Ingrid!

    Here is Tom's acceptance speech. Congrats again!


    "Thanks Alexis! I had fun working on your banner. I don't know if I have a speech, but I could share some Ingrid love! She's one of my favorite actresses. Though I haven't seen any of her Swedish films yet, I have two favorite English-language performances of hers. The first is Casablanca, and the other is A Woman Called Golda, her final filmed performance. Also, I just watched For Whom the Bell Tolls last weekend and loved her in it.

    Can't wait to read the biography, it sounds like a good one. I want to learn more about her early career and life. And am following your blog! Love it!!"

    On a different note, I will be moving right after Christmas, from Maryland to California...because of this, my post about Casablanca may be REALLY delayed. I will hopefully do it sometime this week... but I apologize for this extreme delay. I have the first part written, and if you'd like the play by play in sections, let me know and I'll post it as such.
    Thanks for your support and submissions- they're all fantastic logos and will be used!

    Thursday, November 26, 2009

    Casablanca: A History


    On December 8, 1941, the day after the Japanese bombed Pearl Harbor, the play, Everybody Goes to Rick's, was purchased by Warner Bros. Producer Hal Wallis for (USD) $20,000. This was the most money ever spent on an un-produced play and would start on of the most perfectly timed cinematic events in film history.
    The original story was discovered by Irene Lee, the story department head who felt like it had potential.
    There is always talk about the way Casablanca was written, I'll try and bring forth what seems to be the way it ended up the way it did.
    The title was changed from Everybody Goes to Rick's to Casablanca because it was catchy and relevant. People at the time would have seen the word "Casablanca" in the news and were mostly aware of where it is.
    The original story break down was: "The heroine in the play was Lois, a wanton American and classic femme noire. Her earlier affair with Rick in Paris had broken up his marriage, and as the story opens she arrives in Casablanca as the mistress, not the wife, of Resistance leader Victor Laszlo." (The Genius of the System, 315)
    Aeneas Mackenzie and Wally Kline worked on a treatment in January of 1942, but their rendition was changed because Wallis was unhappy with the Lois character. Wallis took the two writers off the film in February 1942 and hired Casey Robinson who was a notable melodrama writer. During this month, the Epstein twins (Philip and Julius) were officially hired for the job. It was also at this time that Louis Renault (Claude Rains' character) was reworked to be an ally of Rick's at certain points of the story.
    Robinson received no formal recognition for his writing because he refused to share billing. He therefore was left out of the credits and eventually out of the Oscar run.
    Robinson is who we can credit with changing Lois into Ilsa, the innocent European played by Ingrid Bergman.
    Thanks to the trade of Warner Bros.' Olivia de Havilland for David O. Selznick's Ingrid Bergman, Ingrid was cast on April 24, 1942. Selznick, who thought it was good for Ingrid's image to be in a pro-United States, war-time film (due to "possibility of Sweden's alliance with Germany and Italy" [Notorious: the Ingrid Bergman Story, 122]) traded Ingrid for $125,000 of which she received her standard salary of $3500. (122) Humphrey Bogart also didn't profit much out of his starring in the film, only earning his Warner Bros.' allotted salary of $2,750.

    Ingrid wrote her friend Ruth Roberts on the subject of being cast for Casablanca, "The picture is called Casablanca and I really don't know what it's all about." (122)
    Ingrid joined the production (physically in Hollywood) on May 2, 1942.

    Now, watch this video for Ingrid's take on how the script was done and how confused she was- then we can continue with the myths and different casting things that went on during the pre-through-post production times:

    Though Ingrid felt like the writing was confusing as well as the direction, it wasn't uncommon in those times, as well as on some sets today, to have a lot of things changed or not finished. Though this movie was unique in the fact that they didn't know what ending they were going to use until they shot the version we see today. There were a lot of rewrites and a lot of undecided factors- including who Ilsa would follow in the end. Some books suggest that her performance was enhanced by the fact that just like her character, she was in an internal turmoil between the men.
    The collaboration was that of an open one. Everyone contributed ideas. Some of the more famous lines like "Here's looking at you kid." were actually brought to the film or the writer's attention by Humphrey Bogart.

    Back to the historical significance and wonderful timing:
    • The movie's initiation was the day after "Pearl Harbor Day (Dec. 7, 1942)"
    • The film was named for it's geographical location, much like the Hedy Lemar/Charles Boyer film Algiers which audiences would have related to the times and settings they already were familiar with (thanks to the news and reels).
    • The film went into general release (January 1943) just as the Allies opened a summit conference in Casablanca. Adding to curiosity, relevance, ticket sales and popularity.
    • Was seen as the first film to show "America's commitment to the war" (The Genius of the System, 317).
    • In April of 1942 Howard Koch (one of the credited writers) was told to increase talk of Rick's political standings as well as occupation in Casablanca in the script. This was all at a time when it was a part of France but was infiltrated by all types of people (as seen in the film).
    • Hal Wallis was going to make many retakes and shoot more scenes but was halted by various events including, not being able to reshoot with Ingrid who had cut her hair for For Whom The Bell Tolls and because when they were about to reshoot, the Allies landed in Casablanca for the North African campaign.
    • This story was one of the first, if not the first, to re-write United States melodrama towards benefitting the war. The leads were to give up certain understood notions like ending up together, being only with one another and selfishly disregarding others for sacrificing self for the greater good (i.e. Ilsa goes off with Laszlo and Rick stays to fight for the country he initially couldn't care less about).
    The film was released on November 26, 1942- which was a pushed premier date because it was another timing issue. They felt it would be better off considering the Allies were doing well and everyone was getting involved. Plus no one knew what could happen next...
    Just a couple of other tid-bits:
    • As Time Goes By was almost cut from the movie completely. They found that they'd have to reshoot all the scenes with it, including major bar scenes and scenes with Ingrid, so they left it in. It was an unexpected, now iconic, hit.
    • Both in November of '42 and January '43 Casablanca was a hit. Ingrid never understood this until she saw the film later in life. She was admittedly focused on her next film.
    • "Even when spoken by supporting actors, the dialog is filled with innuendoes, ambiguities and ironies. In fact, many of the men and women playing waiters, refugees or nameless customers were Europeans who had emigrated to Hollywood to escape Nazism. Neverously hopeful, coldly indifferent or patient and resigned the presence of minor characrters intensifies the oppressive atmosphere of the film"-Reclams Filmklassiker (100 Greatest Films of All Time, 210)
    • Paul Henreid was not sure he wanted to play the 2nd man in this film because he was concerned about typecasting as well as playing second fiddle to the stars and not being remembered.
    • On their relationship, Ingrid stated about Bogie that "I kissed Bogie, but I never got to know him." (Ingrid, 82)
    • The line at the end of the film "Louis, I think this is the beginning of a beautiful friendship" was added in post production and was written by Hal Wallis. It is ranked #20 on the AFI's Top 100 Movie Quotes.
    Casablanca. 1942. 102 Minutes. B&W. Drama.
    OSCARS: Best Picture (Hal B. Wallis), Best Director (Michael Curtiz), Best Screenplay (Julius J. Epstein, Phillip G. Epstein and Howard Koch).

    Monday, November 23, 2009

    Ingrid Quiz...


    1. What's your favorite Ingrid film?

    2. Who's your favorite leading man from a film with Ingrid?

    3. Who would you LOVE to see her with?

    4. What action film would you cast Ingrid in?

    5. In which current/classic TV show would she have been a great cast member?

    6. Long hair Ingrid or short?

    7. Ingrid in Sweden, Italy or U.S.?

    8. Who's your favorite of her children?

    9. Favorite photo of Ingrid?

    10. If you had to write a book report on Ingrid, what would it be titled?

    Wednesday, November 18, 2009

    Ingrid Bergman Life and Films Logo Contest???



    Should we have another Ingrid Bergman Life and Films logo contest? I was thinking about having an Ingrid prize this time... any thoughts?
    I know that participation wasn't that high last time, but I did end up with a beautiful logo from Lolita... so it was definitely worth it...

    Comment and let me know... I'll also put up another poll to see if anyone's interested.

    Monday, November 16, 2009

    Kate Gabrielle's Gift to Me!



    I recently ordered a moleskine journal from Kate Gabrielle's etsy page. I love the Eloise flapperdoodle cartoon. It's incredibly witty and cute. Well, a surprise was awaiting me today in a flapper-covered envelope...a drawing of Ingrid!
    Here is a video showing you what I received. Thank you again Kate Gabrielle for your work and your blog, they're superiorly well done.
    Follow KateGabrielle on all of her sites!
    (I'll post a transcript of what I say for any non-English speakers.)


    So I want to show you that I got a new package today, and do you notice anything about the package? I think that it might be some flapperdoodles. That's right, flapperdoodles. Courtesy of KateGabrielle. And... So I purchased... this which is a moleskine, lined, um, journal and it has Eloise here, reading a book. Which makes me excited because I like to imagine myself looking like that. Um, not really. I don't look like that.
    So, this is the cover and it has her logo on here... sorry everything is reversed...the logo is here. And on the back there's a cute little Eloise logo and with it came cards, lots of cards, and coupons, lots of coupons! for etsy
    And a little surprise!
    That's right, she drew a picture of Ingrid Bergman and sent it to me. I am very excited about this and I just want to say a big thanks to KateGabrielle. I love your work, I follow you on twitter, we talk, it's cool. I like it. And I'm not the only one who can vouch to say that you are awesome!
    Your art is amazing. Keep it up. You have a great talent, don't waste it! So I'm going to get this a frame and I think I might take some stills of it as well and post it if that is okay with everyone. So that everybody can see how wonderful this is probably in better resolution than this... You can see the reflection of my computer.
    Um, and now I'm going to go and work on the Casablanca blogs; which I'm going to show you...look. Proof! Proof that I'm really doing it.
    Seriously, research, look at this. This is my pile, my pile of research. Right here. I'm working on it, alright. And then I'll do the play by play, which hopefully I can do tonight and just get it done and have a quality blog for everyone. So thanks for being patient and thanks for being a reader. Uh, I guess I'll see you on the other side!

    Tuesday, October 27, 2009

    The Ads and TUMBLR!


    Hey everyone-
    Just a note, I am working on the Casablanca post. It's going to take some time because I want it to be amazing!!!

    I just wanted to let you all know why I put up obnoxious ads. I normally wouldn't do such a thing because I think they make the place look cluttered and noisy with commercialism, but, I am trying to make a few bucks for Film School (USC SCA).
    Me, Alexis, as a unicorn...at a wedding being silly

    I have been trying every outlet possible, so please don't feel used!! It is just another way the internet might work to pay for a pencil or a salad. Lol. Especially in this economy--BLURG!

    Well, I'll be sure to post soon and thanks again for your readership and your love of Ingrid! Be sure to check out my tumblr page and my twitter page! I'd love to chat it up with fellow Classic Film buffs and Ingrid Fans! :)

    Wednesday, October 21, 2009

    Lauren and "My Big Paintings"

    You all are not going to believe this when you see it...
    Lauren, an 11 year old artist, does speed and performance painting. She does portraits and various other forms and I wrote her and asked her to do one of Ingrid...
    She did one recently!!

    Here's a video of her painting Ingrid! Thanks to Lauren for hearing a fan's request!




    If you're interested in seeing Lauren's story, her work or purchasing a piece please visit her website: MY BIG PAINTINGS or her Youtube.com Page: LaurenPaints

    Thanks again Lauren for sharing this with us! :)

    Tumblr



    Emily has hooked me on Tumblr.com.
    That's right. Now there is a tumblr site connected with Ingrid Bergman Life and Films!
    If you're interested in following my tumblr, or want to find other great Ingrid tumblrs, join in the fun!

    Emily has a great Classic Film tumblr called NotoriousDreamTeam and she showed me another fantastic Ingrid tumblr called DaisiesandButtercups, filled with love, admiration for and photos of Ingrid Bergman.

    If you miss their posts, or mine, please follow me on twitter and you're most likely to see them! @alexis_morrell


    Monday, October 5, 2009

    Adam Had Four Sons: A Minute by Minute Review/Analysis



    NOTE: I love how corny this film is, I am mocking it a bit because it's not a masterpiece by any means, but I do it in jest and out of love. I also assume you have seen this film or are going to watch it so SPOILER ALERT for EVERYTHING ahead.

    First of all, let's discuss the historical/biographical context of this film (regarding Ingrid Bergman's life).
    When Ingrid Bergman came to work for David O. Selznick in the U.S. in 1939, she was contracted to work for him. She worked on the English version of Intermezzo: A Love Story and then hit a lull. Selznick didn't have any quality pictures for her to work on because he was busy with films like ("his masterpiece") Gone With the Wind. Ingrid did a play in NYC and some work in Germany, but then, just when she was contemplating leaving the states, Selznick got her a gig playing Emily in Adam Had Four Sons. Selznick new the film wasn't going to be a hit, but he wanted to keep Ingrid listed for future parts. Selznick actually lured Ingrid into the part because he promised her that he would eventually give her the part she had always wanted to play; Joan of Arc. The real reason Ingrid locked in this part was Gregory Ratoff, who begged Selznick to loan him Ingrid after he had worked with her in Intermezzo...
    Adam Had Four Sons was a B-movie made at a B-film Studio (at the time), Columbia Pictures. I am telling you this because it is why a lot of my play-by-play is sarcastic and comical rather than insightful, meaningful or historical (which I feel like my Notorious minute-by-minute was more of the latter).
    The best thing I think Ingrid said about this film is the following (just another reason to love her):
    "I am one of the few actresses who really thinks movies are wonderful, and absolutely with no eye to money. A good part on the screen in is just as good [as on the stage]--that's my idea."

    Ingrid's long time friend and agent, Kay Brown, had this to say about AHFS
    "She survived Adam Had Four Sons, and anyone who could come through a stinker like that is destined for success."
    So with all of this said, turn on your DVD's and enjoy this minute by minute commentary. :)
    • I like the clouds around the title-- quite fancy.
    • The photo album is creative underlay for the credits, and a nice transition into a corny joke-- but over kill for family history.
    • Great sneeze there. "Who care's about a new governess anyway?" -- haha if only he knew.
    • Does anyone find it funny that the youngest son is already in uniform?-- and that the mother is incredibly concerned that he is behind the wheel of something that he isn't old enough to handle? Foreshadowing at its most obvious and best. NOTE: I love how corny this film is, I am mocking it a bit because it's not a masterpiece by any means, but I do it in jest and out of love.
    • Adam asks Jack, the oldest, "You haven't touched those gears have you?" when the son just obviously was playing with them. If these things aren't telling of the future shenanigans I don't know what is.
    • Setting: "Dad, when are we going to get the new 1907 model?"
    • Car indicates status around the horses and buggies
    • Don't get too close to that train Phillip...
    • Get ready for it, a "French" governess
    • INGRID~!
    • Ingrid's supposed to be French--just in case you were wondering.
    • 1st born=Jack
    • 2nd=Christopher
    • 3rd=David
    • 4th=Phillip
    • Otto, the good old butler.
    • Did I mention that Ingrid's character is psychic in this film? She just knows this is home. If you're getting a cavity from the sweet nature of this film, pause the film and brush your teeth.
    • She knows exactly where everything is! This will make her job a lot easier. "Where did I put that hat?"
    • These kids are strong, chin ups all day long.
    • Dad was a football player
    • OH! Ingrid is stronger. Don't mess.
    • She can handle any kids, any day. Look out Mary Poppins (PS, I love Mary Poppins)
    • Emily is instant family.
    • Let's not forget how hilarious gender roles are. Papa can't stand the idea of being emasculated but it's going to happen for our benefit.
    • The Stock Market isn't doing so hot- a great crisis for a film about a rich family in Connecticut.
    • Especially when their business is called "Stoddard & Co. Members NEw York Stock Exchange: Philadelphia Boston Chicago"
    • I am not sure, but I think that this Stock Market trouble is alluding to the "Panic of 1907" and the troubled years before WWI in the U.S. stock trade. This will make more sense as the movie progresses. I researched it and that's what I found to be the answer that makes the most sense-- if you know otherwise-- feel free to leave a comment about it.
    • Isn't it cool how they used to have ticker paper? I love it.
    • "If the country is sound, business is sound"--he should have knocked on wood right there.
    • Ingrid does a magnificent job of taking an innocent, bland, goody-goody into a goody-goody with a real persona.
    • That is the lowest basketball hoop ever. I think Ingrid could dunk on it.
    • Let's remember their father is the ULTIMATE man. I think if Cary Grant, Gary Cooper or Gregory Peck played this role-- we would have bought it. (This was a B-film however.)
    • Uh-oh. Things aren't looking so sound or perfect after all. Should we panic? Not yet.
    • "Just a mild sedative" It was probably straight morphine. LOL
    • Thanksgiving with a Frenchwoman-- we are quite ego- and ethnocentric here in the U.S.
    • Mention of Cousin Phillipa, she's a grand old CREEPY lady.
    • Like Ingrid's wig? She HATED it. It was very uncomfortable.
    • Fay Wray kind of looks like Gloria Swanson.
    • Doctor's in, things aren't looking good. She needs an operation for a vague disease of which we will never be privy.
    • It's 1907 and she's having an operation, there's no way she's going to be alright.
    • This interaction between the mother and Emily is crucial to the plot. This talk gives Emily the right, privilege and will to protect and serve the family. There is not a drop of romance in her toward the father at this point, only loyalty to the mother of the children she watches. The mother has extreme trust in Emily. I think if anyone had played Emily as a dumb-dumb or just as a servant, this element could have easily been dropped from the character; Ingrid seems to carry this message for the rest of the film. She carries herself as if she's carrying the mother as well. Her looks are always reminiscent of the last moments with the mother as well as the guilt whenever things go wrong. She longs to keep her promises to the whole clan as well as protect all of their wishes and secrets.
    • "Emily I trust you."
    • Nice bow mom.
    • "Ah, my army."
    • This is a living wake if I've ever seen one.
    • Only three coins--someone's not going to come out of this plot too well. Lol
    • She's telling Adam that she's not going to survive. I'm sorry this is so obvious, but this movie is just that.
    • I feel like Ingrid looks much like the Ingrid that we see in later films in this scene. She has a shawl wrapped around her and just looks like she does in "Spellbound," "Elena and Her Men," "Viaggio in Italia" and "Autumn Sonata." Maybe it is her characters or her stance, but she just looks like the future.
    • Nope. She's dead. I just realized her name is Molly as well. I know that's bad, but I feel like they say "Emily" so much that her name was lost.
    • It's 3 AM.
    • "Things will never be the same but it will be filled I assure you."
    • Stocks are DROPPING (COINS are TOO)
    • Emily's seat has changed-- she's now in Molly's seat.
    • Cousin Phillipa is here! Emily is on top of everything, drink is in the living room after a hard day's work. Props.
    • Trading activities suspended, not a good sign for Emily.
    • I like the Cousin. She's creepy, but cool. She hooks the family up!
    • Send her home on the next boat?! She's not just any Frenchwoman! She's EMILY! Wow.
    • Emily should know what's happening, I mean she's psychic.
    • Emily really can do anything.
    • The French "accent" is hilarious.
    • Go home? This is Emily's home!
    • Check out that bow tie.
    • In case you were wondering-- that's her boat pass.
    • Emily goes into panic mode. I mean they are now in squaller (horse a buggy folk).
    • Ingrid is SO good. She can make this character cry. I mean, now, we should actually feel like something is happening and an emotional tie to the characters.
    • Longing look like no one else: Ingrid Bergman.
    • Oh, not only is it a horse and buggy, but it's a taxi! They're the lowest of the low. Lol.
    • They couldn't have rid of the furniture or something to keep Emily?
    • OH! Check it out, Phillip was wearing a "mourning band." This was worn by men on their arms or hats to signify that they were still in mourning when they went out in public. I'm not sure when this tradition ended or how long they were to wear them. I think it's 3 months, but if you know-please comment.
    • Adam keeps talking in cliches, it's a little annoying: "We're far from the mountain top" "The grass is always greener in the valley" "We're on our way up"- I'm glad he's staying positive, but some of this just adds to why this movie isn't a great film--the story needed some more grind. It needed friction and more turbulence.
    • PAY ATTENTION TO THESE DATES!
    • If you don't catch the flying dates you'll wonder what in the world happened. Ingrid doesn't look any older but all of the men and boys will. It's confusing as hell (because of her looks) if you miss the "1910, 1912, 1914"
    • The war helps to embed the idea that a lot of time has passed and that times are changing, but the movie once again skimped and didn't worry about making anyone look remotely "real."
    • This footage is a nice touch. It allows us to witness the upward turn in the economy, but through the "working man" point of view as opposed to just showing stocks going back up. The footage is pro-war of course, and though it's dealing with WWI, not WWII it's an interesting look in the American Ideals of the time.
    • Remember, at this point in time, the United States wasn't a true member of WWII yet-- Pearl Harbor had yet to happen. All of this propaganda-like footage is WWI.
    • (Okay--now I'll quit that redundant statement)
    • Look at that sweet reverse footage--the coins they are a stackin'!
    • "1918"
    • In this letter, Adam is writing to Emily, he states that they own "Stonehenge again." This kind of bothers me that it is so easy for them to just move right back to their old house. Though it makes for a gentle return for Emily to the family, it's just ridiculous. Please note that I'm not expecting reality in this film by any means. I just get annoyed when my willingness of disbelieve is put up to such a challenge. I just wish they had moved into a new nice house and not just the same set.
    • Otto's back too!
    • Anyone recognize that little lady? That's June Lockhart, yep, Timmy's mom from the television show "Lassie." She was also the mom in "Lost in Space."
    • Everyone's going to enlist. Good grief.
    • Phillip is old enough to have a demeaning tone towards the ladies. I mean he just made her sound like a complete idiot (sorry, that makes my feminist mind furious).
    • I like that Vance knew the whole story of the family so we don't have to recap for her.
    • Emily looks more well off than she did the first time she came to America.
    • I swear- Ingrid saves this film. I mean, Susan Hayward will do a good job in a few minutes of really revving up some conflict, but without Ingrid's face and her acting skills, this movie may not have made it to the big screen.
    • They made her look more mature, but not older by any means.
    • The boys are all men--well not Phillip--not yet. Lol
    • David is incredibly disinterested in Emily. Why would this be?
    • I like how they framed this shot. I think it's great that Emily is right in between David and Adam. It kind of sets up the idea that she is going to have conflict involving both of them. She will be between the sons and the father as a mother figure now. She took this role from Molly and we are shown this to remind our subconscious to pay attention and switch over to consciousness.
    • This part of the movie reminds me of a play--more so than the first part of the movie. All of the intro's have been like in a play--but this part has a lot of entrances, exits, through doors, proscenium framing and drama like a play.
    • Susan Hayward's character, Hester, is PURE EVIL!
    • Jack is handsome. Lol.
    • Ew, no one should kiss there sister like that. They're looking to do a private high five later.
    • Finally, David shows Emily some respect.
    • Emily's a thinker. She should be the woman of the house--but wait-- Hester showed up. DUN DUN DUN!
    • You could cut the tension between the women with a KNIFE!
    • I love how Ingrid makes Emily territorial. It makes her more believable as well as strong enough to take the evilness of Susan Hayward's, Hester.
    • OH! Call out- Governing "four grown men"
    • She really calls out the possible sexual attraction between Emily and the "boys" but we all know she's not into the younger crowd- She likes them with a grey streak.
    • Hester is awfully forward.
    • Phillipa is refreshing. All of the women control this story. Phillipa is a nice touch, she provides a comic relief as well as a chorus to reveal a moral compass.
    • The characters are always stating what they are doing, but only what they are visibly doing-- not the finest writing. Some of it's good though...idk
    • Susan Hayward is incredibly evil in this part- I still feel like she and Ingrid are the only reasons this was released.
    • Phillipa also contributes, but it's short lived, because she is a voice of reason and would put a stop to the problem. Her death helps to seal the conflict.
    • Where's Phillip? Necking with Vance? Nope- he's enlisted. This gives a true insight to WWI because it was harder to prove one's actual age so illegally enlisting was much easier. Plus, he's a true patriot (Unlike--"patriotism, waving the flag with one hand and picking pockets with the other"-Notorious)
    • Emily has to be the protector. When Phillippa dies, her spot is no longer secure, but she will fight tooth and nail to keep everyone protected.
    • David leaving leads to a bored, sexual, lazy, powerful Hester. Not a good combination when there are other men with which to mess around.
    • I do like the use of war footage, symbolism and letters in this film. They ad an air of legitimacy to an otherwise doubtfully well done film.
    • The letters also present the option of not loosing touch- so if you were wondering how they kept in touch all this time (whether it be the boys or Emily), that's how.
    • OOO! Vance has her hair up! She finally got her way. She just wants Phillip SO badly!
    • Emily fills the maternal situation- Hester doesn't. She is idle and says things like "This place runs itself so well there's nothing you can do to help," and "And Dad, I did want to do something to make you happy." It's like she's coming on to anything that has a pulse, except Emily of course. Lol.
    • Hester doesn't accept any responsibility on her own part. She even refers to herself in the 2nd person, unknowingly removing herself from any responsibilities-merely pretending.
    • Solitaire-----and DRINKS! Not a good sign when you're drinking alone in the middle of the day Hester!
    • She sees her potential prey in the picture, dirty hooker.
    • She's PLASTERED!
    • Jack is so cute. Too cute for his own good.
    • I wish Jack were a bit more scandalous- it's hard to believe that he's drunk enough to really take advantage of Hester's sexual exploits.
    • Playing solitaire and pacing the floor--someone forgot to say "drinking my face off."
    • She wants to go into New York when she's, as Jack says "...a little lit sister."
    • She is the devil. Lol.
    • Ripping stuff off of the U.S. uniform- that's not a good sign for a character. Instant bad karma.
    • She's just playing games. GRR! She's so evil!
    • "I've never loved anybody, the way you're talking about."
    • She is a crazy sado-masochist, and extremely verbal about it (especially for the time- just as codes were coming into play- I like it)
    • EMILY~!!! Perfect timing, yet, nothing she can do!
    • Ingrid playing piano! Always a good thing!
    • Does anyone else think it's weird when someone calls their in-laws "Dad" the 1st day they meet them?
    • Emily knows when to stop playing the piano.
    • Why does the script insist on telling us EVERYTHING? "It's a big day tomorrow with Jack home"= DUH
    • Aww, Adam and Emily are falling in love. She'll eventually be their real mother- maybe they'll make some babies. (just kidding guys... kind of)
    • She just can't help being amazing. Good grief!
    • Oh, Hester- you devil woman. She just can't get enough.
    • This is a great scene, a lot of shadow work and doors-- much like a play. A who's who? and in-and-out type of action.
    • Pay attention to the Silhouette in the window.
    • Adam doesn't like that AT ALL.
    • I feel like Jack would have been able to get rid of her, not be seduced.
    • Of course that's what she looks like right out of bed- no bed head. Lol.
    • Emily comes to the rescue!
    • Why would she rescue Hester? I would have thrown her down the stairs--sorry to be violent, but I hate her!
    • I mean he's not 12, he's like 20 something now. That's legit. Lol. Adam's like 80, so I'd go for Jack.
    • Hester is a lousy sack of poop. (I'm a highly educated person and proving it, no? j/k)
    • Oh, Emily totally could take her. Hester is satan though.
    • Uh, oh. Emily's love of Adam is revealed. Case of status- leave the old ways behind Emily, take what's yours!
    • "Armistice!" Will it be for everyone?
    • The boys are coming home! Look how excited Vance is. Lol.
    • There's Chris, breaking the lines.
    • I love Vance- she's hilarious.
    • Phil is hurt. Just his eye. He probably didn't write because his eye hurt. I wouldn't write if my eye hurt (hence this blog taking forever. lol)
    • So Vance and Phil will get married at age 14? Babies havin' babies.
    • OH NO! Hester's after Chris now. What a streetwalker!
    • Chris seems more likely to sleep with Hester than Jack. He's weaker.
    • Jack's setting her straight.
    • He should leave her in this field.
    • He feels remorse because he should as the admirable brother- she does not. This isn't a great quality- kind of a 19th century ideal again. The woman is portrayed as someone with no morals, her virginity is obviously far from in tact (has been for a while, previous to marriage) and she is luring men into her web. If it were a film noir, she'd be coined as a "spider woman"- if you want an example of a "spider woman" in film noir- check out Gloria Swanson's character in Sunset Blvd.
    • David is CLUELESS.
    • Hester should have learned to hold her booze. She's a slosh!
    • Adam notices her lushy qualities. I think he's noticing her flaws.
    • Emily and Jack are weary.
    • She's still trying to protect the family, and Adam.
    • Everyone but Emily and Adam know that they're in love.
    • Well, they know too, but they're not doing anything about it.
    • (I wish this movie weren't so corny)
    • Hester is about to make a BIG mistake--"JACK"
    • David's like "What the f*$&"
    • Nice mirror shot.
    • David sees it all now. He's hurting Hester, she finally feels pain.
    • She has no morals. Lol. The opposite of the "American Ideal" of this time.
    • Uh oh, it's raining. That's not a good sign, especially at the airport.
    • No one trusts you Hester. Blaming Emily's not going to help.
    • Blaming the war isn't going to work, Hester.
    • Emily is not fooling around anymore. Go Ingrid- acting CHOPS!
    • Phone ringing is not good timing right now. You guys know, because it's a movie. Lol.
    • He's unconscious but alive. That's what we need. He'll tell us once he sees Hester.
    • Wow, Hester is really dramatic.
    • Emily is going to be in charge of Emily. She's going to fix things like she promised Emily and Phillipa she would.
    • I think it's great when Ingrid takes on a look of determination. She gets an opportunity in every film. Just look for it.
    • "women like you" I love it.
    • Emily's bringing the HEAT.
    • Hester tries to pull hierarchy but she doesn't realize she has none.
    • Emily is snapping- she's put too much time and effort into this.
    • Girl fight!
    • Emily should just push Hester down the stairs.
    • Gosh! Hester makes me SO mad!
    • Silence is the cure. She's showing that the constant word diarrhea is the problem. Jack will set it straight.
    • Adam's getting his answers. Here's Jack to confirm.
    • Why would Adam believe her over Jack? She's CRAZY!
    • Aww, Emily! Don't pack your clothes. Don't cry.
    • He's come to ask you to forgive him and to marry him- DUH!
    • David and Jack are better than that. Emily knows.
    • Here it is- sappy ending that we were hoping for. Not to mention a real quick ending to a long movie.
    • "Adam"



    About Me

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    An avid Ingrid Bergman fan, I am a student of her life and work as well as film, filmmaking and Classic Film in general. I have my M.F.A. in TV/Film Production from USC School of Cinematic Arts and have been making a living in the business they call show. Feel free to follow me on Twitter @alexis_morrell